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CC 2019 (13.0.2.38) / December 10, 2018; 30 days ago ( 2018-12-10) None CC 2018 (64-bit) Windows 7 or later 10.11 El Capitan or later CC 2019 (64-bit) version 1703 or later 10.12 Sierra or later Website Adobe Premiere Pro is a timeline-based developed by and published as part of the licensing program. First launched in 2003, Adobe Premiere Pro is a successor of Adobe Premiere (first launched in 1991). It is geared towards professional video editing, while its sibling, targets consumers market. Was an early adopter of Adobe Premiere.

Also, in 2007, certain departments adopted Premiere. It has been used to edit feature films, such as, and, and other venues such as. Contents.

History Premiere Pro is the redesigned successor to Adobe Premiere, and was launched in 2003. Premiere Pro refers to versions released in 2003 and later, whereas Premiere refers to the earlier releases. Premiere was one of the first computer-based NLEs , with its first release on Mac in 1991. Adobe briefly abandoned the Mac platform after version 6 of Premiere.

Up until version Premiere Pro 2.0 (CS2), the software packaging featured a galloping horse, in a nod to 's work, '. Features Premiere Pro supports high resolution video editing at up to 10,240 × 8,192, at up to 32-bits per channel color, in both.

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Audio sample-level editing, support, and 5.1 surround sound mixing are available. Premiere Pro's plug-in architecture enables it to import and export formats beyond those supported by QuickTime or DirectShow, supporting a wide variety of video and audio file formats and codecs on both MacOS and Windows. When used with 's Neo line of plug-ins, it supports 3D editing with the ability to view 3D material using 2D monitors, while making individual left and right eye adjustments.

Workflow integration After Effects Through, compositions from may be imported and played back directly on the Premiere Pro timeline. The After Effects composition can be modified, and after switching back to Premiere Pro, the clip will update with the changes. Likewise, Premiere Pro projects can be imported into After Effects. Clips can be copied between the two applications while preserving clip attributes.

Premiere Pro also supports many After Effects plug-ins. Premiere Rush Video projects in can be opened in Premiere Pro to add more complex edits Photoshop files can be opened directly from Premiere Pro to be edited in Photoshop. Any changes will immediately be updated when the Photoshop file is saved and focus returns to Premiere Pro. Adobe Story, OnLocation and Prelude The Premiere Pro workflow takes advantage of in the script of a video production. The script is created in or brought into, then passed to to capture footage and attach any relevant metadata from the script to that footage. Finally, in Premiere Pro, can match the audio to the dialogue from the script in the metadata.

Clips can be searched based on their dialogue in Premiere Pro, and can be sent to to make searchable web DVDs. Replaces OnLocation in CS6 and above. Others There are other integration functions, such as Edit in, Dynamic Link to Encore, and Reveal in Adobe Bridge. Advantages over Premiere Elements An entry-level version, is aimed at home users available on. With Premiere Pro aimed at the professional market, it has advantages over Premiere Elements including multiple sequence support, multicamera editing, time remapping, scopes, advanced color correction tools, and advanced audio mixer interface. Premiere Pro also has Encore, for more elaborate and authoring options, and OnLocation for. Encore was discontinued with the release of.

Release history. This section needs to be updated. Please update this article to reflect recent events or newly available information. Adobe Premiere Pro system requirements. Retrieved July 2018. Check date values in: accessdate=.

^. Adobe Premiere Pro system requirements. Retrieved March 25, 2018. Foxton, Joe (October 25, 2013). Archived from on November 13, 2016. Retrieved May 27, 2014. Press Release.

April 16, 2007. Archived from on May 13, 2008. Retrieved May 2, 2008. ^, RedShark News, August 27, 2014, retrieved September 8, 2014. ^ Frazer, Bryant (January 31, 2008). Customer Stories: Video, Film, and Audio.

January 14, 2011. Retrieved July 25, 2012.

Digital Content Producer. August 2, 2006. Archived from on July 6, 2007. Retrieved July 6, 2007. Digital Video & Audio. July 20, 2010.

Archived from on August 10, 2011. Retrieved August 25, 2010.

Retrieved August 25, 2010. Sullivan, Eamonn (January 27, 1992). 'Adobe multimedia tool makes nimble partner for QuickTime'. Vol. 9 no. 4. Sullivan, Eamonn (January 27, 1992). 'Adobe multimedia tool makes nimble partner for QuickTime'.

Vol. 9 no. 4. Thompson, Tom (June 1992).

'Two tools of the QuickTime trade'. Vol. 17 no. 6. ^ Chadbourne, Teri (September 18, 1992).

'Adobe Premiere Version 2.0 Now Available' (Press release). New York: Business Wire. Green, Doug; Green, Denise (November 16, 1992). Vol. 14 no. 46. ^ Pane, Patricia J. (August 2, 1993). 'Adobe Premiere 3.0 for the Macintosh now available' (Press release).

New York: Business Wire. Peck, LaVon (September 10, 1993). 'Adobe Premiere 1.0 for Windows now available' (Press release).

New York: Business Wire. Rosenbaum, Daniel J. (January 1994). 'Premiere 1.0 for Windows: digital video production on the PC'. Computer Shopper. Vol. 14 no. 1.

Safi, Quabidur R. (October 11, 1993). 'Premiere 1.0 for Windows'. Vol. 10 no. 40. Taft, Darryl K.; Georgianis, Maria V. (August 16, 1993).

'Adobe builds presence across multiple platforms'. Computer Reseller News. Schaefer, Sonya (February 7, 1994). 'Adobe Systems ships Adobe Premiere 1.1 for Windows' (Press release).

New York: Business Wire. Schaefer, Sonya (February 7, 1994). 'Adobe Systems ships Adobe Premiere 1.1 for Windows' (Press release). New York: Business Wire. Simone, Louisa (April 26, 1994).

'Adobe Premiere'. Vol. 13 no. 8. ^ Pane, Patricia J. (July 25, 1994). 'Version 4.0 of Adobe Premiere for the Macintosh now available' (Press release). New York: Business Wire.

Fischer, Andy (April 1995). 'Adobe Premiere version 4.0'. Computer Life. Vol. 2 no. 4.

Brakey, Rob; Jordan, Lawrence (December 1994). Vol. 11 no. 12. San Francisco.

Archived from on 2009-07-15. Retrieved April 13, 2017. Pane, Patricia J. (December 21, 1994). 'Adobe Premiere Version 4.0 for Windows now available' (Press release). New York: Business Wire.

Simone, Luisa (March 14, 1995). 'Adobe Premiere 4.0: video the professional way'. Vol. 14 no. 5. (PDF) (Press release). Adobe Systems Incorporated.

October 20, 1995. Archived from (PDF) on January 13, 1997. Retrieved July 6, 2007. (PDF) (Press release).

Adobe Systems Incorporated. October 20, 1995. Archived from (PDF) on January 13, 1997.

Retrieved July 6, 2007. (PDF) (Press release). Adobe Systems Incorporated. April 24, 1996.

Archived from (PDF) on January 13, 1997. Retrieved July 6, 2007. Adobe Systems Incorporated. February 27, 1996. Archived from (PDF) on December 19, 1996. Retrieved July 6, 2007. What's New at Adobe - July, 1997.

Adobe Systems Incorporated. July 21, 1997. Archived from on February 4, 1998. Retrieved July 6, 2007. (PDF) (Press release). Adobe Systems Incorporated.

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October 7, 1996. Archived from (PDF) on January 13, 1997. Retrieved July 6, 2007.

^ (Press release). Adobe Systems Incorporated. May 18, 1998. Archived from on July 3, 1998. Retrieved July 6, 2007. Adobe Systems Incorporated. Archived from on July 3, 1998.

Retrieved July 6, 2007. ^ (Press release).

Adobe Systems Incorporated. October 14, 1998. Archived from on February 18, 1999. Retrieved July 6, 2007. (Press release). Adobe Systems Incorporated. January 8, 2001.

Archived from on April 5, 2001. Retrieved July 6, 2007. Retrieved 2018-11-15. Palmer, Patrick. Charneco, Kathy (November 8, 2012). Pro Video Coalition.

Retrieved January 25, 2013. February 28, 2012. Archived from (PDF) on March 5, 2016. Retrieved December 1, 2018., Pro Video Coalition, September 8, 2012, retrieved January 25, 2013. (PDF). January 7, 2010.

Archived from (PDF) on October 29, 2012. Retrieved December 1, 2018.

Adobe Creative Cloud. Retrieved 2017-01-16., Digital Media Net, January 24, 2005, archived from on January 21, 2013, retrieved August 27, 2012. (PDF). February 28, 2012. Archived from (PDF) on March 5, 2016.

Retrieved December 1, 2018., Pro Video Coalition, February 11, 2014, retrieved May 27, 2014., Pro Video Coalition, July 29, 2014, retrieved August 21, 2014., Pro Video Coalition, August 14, 2015. Restuccio, Daniel (June 1, 2006), Post, archived from on July 6, 2007. (PDF).

Hollywood, California: Adobe Systems. October 15, 2010. Archived from (PDF) on October 16, 2012. Retrieved July 25, 2012. Keane, Megan (August 22, 2015). Digital Video & Audio Blog.

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Adobe Premiere Pro CS6 for Mac (Download) is a mature, professional nonlinear editor that has a host of fresh tricks up its sleeve. By now well-known to a broad range of professional editors and enthusiasts, Premiere Pro gets even more familiar for its CS6 version. Over 50 enhancements to the workflow are designed to put it in line with those of other NLEs, which helps flatten the learning curve for those editors who are curious to switch over from other programs. And with a revamped interface that offers customizable button bars, it's even easier to mold Premiere Pro CS6 to your own preferences. As with previous versions, Premiere Pro CS6 allows you to work natively with just about any major tapeless format that you can imagine - no transcoding or rewrapping required.

This version adds support for the Canon EOS C300, ARRI Alexa, the RED Scarlet-X, and 5K footage from RED Epic. There's also integration with Adobe's Prelude software (sold separately), which eases import & logging for high-volume environments. As for the brass tacks of editing footage, Adobe Premiere Pro CS6 expands its multicam capabilities, adds tools (Warp Stabilizer and Rolling Shutter Repair effects), accelerates and fortifies its 64-bit Mercury playback engine, and introduces productive little touches such as expanded trimming options and the ability to edit without stopping playback. Before export, you'll find Premiere Pro's Three-Way Color Corrector more intuitive to use for primary and secondary color correction, and it features Photoshop-style auto-correct functions. The integrated Encore CS6 authoring software is now 64 bit, and DVD & Blu-ray Disc authoring are both enhanced.

For every other output type, Adobe Media Encoder adds a Preset Browser and makes it easy to quickly encode video to almost any combination of target output formats, including HDTV, Android & iOS devices, and files for video-sharing sites. NEW FOR CS6 Sleek, Highly Intuitive & Customizable User Interface View more of your media with redesigned monitor panels, customizable button bars, and a full-screen mode option. Work more easily with sound with the new audio track design, improved meters, and a revamped Mixer panel. Fluid Editing Workflow Take advantage of the most requested editing enhancements, including over 50 enhancements to smooth the transition for those switching from another NLE. Mix audio with ease and use convenient, customizable keyboard shortcuts to handle a wide range of common tasks. Dynamic Timeline Trimming Finesse your editing with precision by using powerful trimming tools. Trim clips your way - directly in the timeline via keyboard entry or dynamically in the Program Monitor using JKL shortcuts.

Warp Stabilizer Effect Easily stabilize a bumpy camera move or lock a shot automatically with the same powerful technology as in After Effects software. The Warp Stabilizer corrects jitter and rolling-shutter artifacts and other motion-related irregularities. Expanded Multicam Editing Quickly and easily edit multicam footage from as many cameras as you have on the shoot. View each track's audio waveform, sync via timecode, switch between tracks in real time, and adjust color across multiple shots. More Intuitive Three-Way Color Corrector Better manage the color in your projects with the more intuitive Three-Way Color Corrector for precise primary and secondary color correction. Instantly improve video image quality with Photoshop-style auto-correct functions.

Adjustment Layers Apply effects across multiple clips. Now you can create adjustment layers, similar to those in Photoshop and After Effects, to apply effects to clips on tracks below them.

Easily create masks to adjust a selected area of a shot. Fast Project Panel Workflows View, sort, and arrange media easily with the resizable clip thumbnails in the revamped visual Project panel. Quickly assemble rough cuts by scrubbing clips and setting in and out points directly in the Project panel, without first having to load clips into the Source Monitor. Expanded Camera Support Work natively with footage shot with a growing list of video cameras, including ARRI Alexa, Canon Cinema EOS C300, RED EPIC, and RED SCARLET-X cameras.

Native support lets you start editing immediately, without transcoding or rewrapping the footage. Enhanced, Flexible Audio Tracks Freely combine and pan mono and stereo clips. Greater audio flexibility results from new adaptive audio track types and an easier way to create a multichannel master. Adobe Prelude CS6 Software Integration Use Adobe Prelude (sold separately) to efficiently log footage, create rough cuts to bring into Adobe Premiere Pro, and add comments and markers that are associated with the media. This simplifies organization and helps make your final video more readily discoverable online.

Integrate with Adobe SpeedGrade CS6 Software Easily export your Adobe Premiere Pro sequences to Adobe SpeedGrade CS6 (sold separately) for a complete finishing solution. In SpeedGrade, handle grading tasks like matching shots and creating consistent, nuanced color to visually enhance your projects. Uninterrupted Playback Stay in the creative editing zone. Make changes on the fly without playback stopping until you ask it to. Edit, trim, and apply filters.

Adjust their parameters and add effects - all in real time, all during looping playback. Enhancements to 64-bit Adobe Media Encoder With more popular presets and the new Preset Browser, you can encode video faster and use customizable preset favorites to easily configure a single source for output to nearly any combination of video targets and device formats, including Android and iOS devices, YouTube, video community, Vimeo, HDTV, and more. Enhanced Mercury Playback Engine Work dramatically faster by enjoying the sweeping performance and stability enhancements to the natively 64-bit, multicore-CPU-optimized, and GPU-accelerated Mercury engine.

Support for OpenGL on some MacBook Pro computers brings GPU-accelerated workflows to Mac computer users. New RED EPIC and RED SCARLET-X Support Take advantage of new support for RED EPIC 5K and RED SCARLET-X footage that lets you import it directly into Adobe Media Encoder CS6 for transcoding to HD and SD formats New 64-Bit Encore CS6 Software Get rock-solid performance and stability with Encore CS6 software, now natively 64-bit. Open and save projects faster and send them from Adobe Premiere Pro CS6 directly to Encore CS6 software without intermediate rendering. Benefit from faster MPEG import, pixel aspect ratio correction in previews, and enhanced DVD, Blu-Ray Disc, and web DVD authoring. Adobe Mercury Transmit Experience better performance than ever before with third-party I/O hardware devices, including full-screen playback on external monitors, through Adobe Mercury Transmit, which gives I/O hardware partners direct access to the enhanced Mercury Playback Engine in Adobe Premiere Pro. Rolling Shutter Repair Effect Easily repair media with rolling-shutter artifacts such as wobble and skew. Based on technology in the Warp Stabilizer, the powerful Rolling Shutter Repair effect can be applied without stabilization and offers enhanced controls.

Faster Adobe Workflows Effortlessly move assets among Adobe Premiere Pro, After Effects, Photoshop Extended, Encore, Illustrator, and Adobe Audition software. Seamlessly open an After Effects composition in Adobe Premiere Pro software without intermediate rendering, thanks to the faster-than-ever Adobe Dynamic Link. Improved Third-Party Tool Interoperability Easily exchange projects with Final Cut Pro and Avid software, as well as other third-party tools and applications, thanks to improved support for industry-standard XML, AAF, and OMF interchange formats. OTHER FEATURES Adjustment Layers Apply effects that span multiple clips. Create adjustment layers, similar to those in Adobe Photoshop and After Effects software, to apply effects to clips on tracks below them. Easily create masks to adjust a selected area of a shot. Fast Project Panel Workflows View, sort, and arrange media easily with the resizable clip thumbnails in the revamped visual Project panel.

Quickly assemble rough cuts by scrubbing clips and setting in and out points directly in the Project panel, without first having to load clips into the Source Monitor. Broad Native Format Support Save time and maximize quality by working natively with almost every video format, without having to transcode or rewrap footage. Fast, Sure Output to Virtually Any Device or Format Quickly and easily output your work for nearly any screen with Adobe Media Encoder. Set, customize, and organize your favorite presets in the Preset Browser for fast export and batch-encoding in the background. DVD, Blu-Ray Disc, and Web DVD Authoring Efficiently create DVDs, Blu-ray discs, and web DVDs, all from a single project, using new 64-bit Encore CS6 software. Open sequences without rendering and use flowcharts to define and view the navigation of your project.

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